Ambient, Aberrant (homecoming edition) is an ongoing body of work that explores the ways we mediate out experiences of the Natural world, particularly through the lens of leisure tourism. Handprinted in the colour darkroom, my work seeks to raise questions around the artifice of sightseeing, chasing the sublime, our relationship to Nature (or what we think it is). It sets out from the premise that the photographic gaze and the tourist gaze emerged at the same time (around 1840) and have been inextricably linked ever since.
By laying bare the constructed nature of photography, my work aims to call into question the authenticity of the image, of Nature, of any mediated experience. I invite viewers to recognise that our interactions with the world around us are always mediated—whether through the lens of a camera or a culturally constructed idea.
Related events
Artist Talk:
Upcoming exhibitions
VIEW 2026:
Cass Li, Dylan Marriott, Elesa Stellios, Toni Tait, XinShuo Zhuo
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VIEW is our annual exhibition showcasing early-career artists at the forefront of an emerging generation of photo-media practitioners
Canberra Contemporary Photographic Prize 2026:
Various artists
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Exhibition and competition celebrating both emerging and established talents in photo media.
Halfway Seen Halfway Home (半窥半归) :
Guylieuzy (Ming Liew & Will Wang)
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A moving-image exhibition exploring Chinese–Australian hybrid identity shaped by migration, memory and cultural negotiation.