Exhibition Overview

 Interested in ‘places at the edge of the world’, Dahl probes the idea of landscape to articulate Anthropocene trepidations. Through a series of digital prints, she documents Norwegian sites known for pristine Nature and aesthetics of deep time, but which now also reveal human impact at Earth’s peripheries.

Altering the Edge teams Dahl’s framing of these uncanny, ambiguous places with responses by poet Hannah Jenkins. The resulting works articulate uncertainties of place and belonging, suggesting how poetic intimacy might help us contend with mega-concepts like globalisation and the climate crisis that now threaten to overwhelm us.

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