Inside the Empty Interval investigates the potential of photography to move beyond the “decisive moment” and convey experiences that unfold over time. The work reinterprets the photograph as a sculptural image-object that traverses ideas of permanence and instability.

Considering the exhibition site as active and unfolding, photo-objects are layered and re-situated into an installation that echoes with temporal complexity. Reflective surfaces capture the present moment, multiplying perspectives and implicating the viewer as a refracted double—inviting engagement through spatial awareness and bodily movement. The photograph emerges not as a fixed record of the past, but as a site of temporal negotiation—where time opens and perception slows.

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