Exhibition
The Bees and the Ledger investigates themes of industry, migration and work through the portrayal of Wasikowski’s maternal grandmother Natalia Broadhurst. Despite having a career in shipping and cargo logistics in Poland, Broadhurst was unable to secure work in her industry of trade upon arriving in ‘Australia’ on a cargo ship in the early 1970’s. Despite this, she built herself a home, and devoted the majority of her labor to study, growing food, keeping bees and caring for family.
Drawing upon the cargo ship ledger as a visual metaphor, Wasikowski presents a photographic taxonomy of Broadhurst’s tools and belongings alongside scenes that trace her family history and working life back to Poland. Together, the images span generations and various forms of labour, connecting industry, migration, occupation, and daily life.
Situated alongside this work is a photographic studio—a working space inside the gallery where Wasikowski will extend this project over the duration of the exhibition. The studio will enable new photographic work to evolve as Wasikowski engages friends and family from the Polish community in Kamberri.
View Exhibition Opening Recording Here View Exhibition Catalogue Here
Upcoming exhibitions
VIEW 2026:
Cass Li, Dylan Marriott, Elesa Stellios, Toni Tait, XinShuo Zhuo
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VIEW is our annual exhibition showcasing early-career artists at the forefront of an emerging generation of photo-media practitioners
Canberra Contemporary Photographic Prize 2026:
Various artists
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Exhibition and competition celebrating both emerging and established talents in photo media.
Halfway Seen Halfway Home (半窥半归) :
Guylieuzy (Ming Liew & Will Wang)
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A moving-image exhibition exploring Chinese–Australian hybrid identity shaped by migration, memory and cultural negotiation.